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ARW at a glance
ARW
As Sony expanded from consumer electronics into serious camera bodies and sensors, ARW became part of the broader shift that put Sony raw support on the critical path for many photo applications.
TOD at a glance
TOD
TOD appeared with JVC's HD-capable Everio camcorders around 2006 as the high-definition counterpart to the earlier MOD format, using MPEG-2 Transport Stream rather than Program Stream to accommodate HD bitrates.
Format comparison
| Feature | ARW | TOD |
|---|---|---|
| File type | Not available | Not available |
| Extensions |
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| MIME type |
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| Compression / quality | Not available | Not available |
| File size characteristics | Not available | Not available |
| Compatibility | Not available | Not available |
| Editability | Not available | Not available |
| Created year | Not available | Not available |
| Inventor | Not available | Not available |
| Status | Not available | Not available |
| Transparency | Not available | Not available |
| Animation | Not available | Not available |
| Primary use cases |
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| Common software |
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| Archival suitability | Not available | Not available |
| Metadata handling | Not available | Not available |
| Delivery profile | Not available | Not available |
| Workflow fit | Not available | Not available |
| Layer support | Not available | Not available |
| Camera raw data | Not available | Not available |
| HDR support | Not available | Not available |
| Streaming ready | Not available | Not available |
When to use each format
When to use ARW
- capture ingest
- editing
- web or print delivery
- Preserve capture-stage sensor information.
When to use TOD
- editing
- mastering
- streaming delivery
- MPEG-2 Transport Stream structure makes conversion straightforward.
FAQs
Why convert ARW to TOD?
Choose TOD as target when preserving an original JVC Everio recording or when a legacy ingest workflow still expects the camera-native file.
What changes when converting ARW to TOD?
Convert to TOD when preserving an original JVC Everio recording or when a legacy ingest workflow still expects the camera-native file. More commonly, convert from TOD into MP4, MOV, or a mezzanine format during home-video migration and archive cleanup.
What should I review after converting ARW to TOD?
After conversion, review these destination checks: Open converted output in FFmpeg and verify behavior on real samples; Compare output against the expected depends quality profile; Proprietary extension with no formal specification.
How can I keep quality stable in ARW to TOD conversion?
Run representative samples, keep settings deterministic, and monitor these risks: Limited NLE recognition without manual renaming or plugin support; Proprietary extension with no formal specification; Validate destination compatibility before large-batch conversion.