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FFF at a glance
FFF
Hasselblad's workflow tooling treated raw capture and high-end processing as parts of one integrated medium-format imaging environment, which is why formats like FFF survive in specialist archives.
DPX at a glance
DPX
DPX inherits part of the motion-picture scanning and Kodak/Cineon lineage, then becomes formalized as a SMPTE exchange format for professional moving-image work.
Format comparison
| Feature | FFF | DPX |
|---|---|---|
| File type | Image | Image |
| Extensions |
|
|
| MIME type |
|
|
| Created year | 2002 | 1994 |
| Inventor | Hasselblad | SMPTE / Kodak lineage |
| Status | proprietary | active |
| Transparency | Not supported | Not supported |
| Animation | Not supported | Not supported |
| Primary use cases |
|
|
| Layer support | Supported | Not supported |
| Vector scaling | Not supported | Not supported |
| Camera raw data | Supported | Not supported |
| HDR support | Not supported | Not supported |
| Streaming ready | Not supported | Supported |
When to use each format
When to use FFF
- Your source file is already in FFF.
- Preserve source expectations before exporting to DPX.
- FFF is commonly used in image workflows.
When to use DPX
- Your target workflow expects DPX.
- Improve delivery compatibility with DPX.
- DPX is commonly used in image workflows.
FAQs
Why convert FFF to DPX?
Convert to DPX when the destination is a color pipeline, VFX handoff, scanned-film workflow, or professional frame-sequence archive.
It is ideal for high-fidelity moving-image production and preservation.
What changes when converting FFF to DPX?
This conversion changes how the format behaves in downstream tools and delivery environments.
Moving to DPX removes layer support. Moving to DPX removes camera raw data. Moving to DPX adds streaming delivery.
What should I review after converting FFF to DPX?
Validate output quality on representative files and confirm the target format behaves correctly in the destination workflow.