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KRA at a glance
KRA
Krita's native format reflects the rise of open-source digital painting as a serious creative workflow rather than only a hobbyist alternative.
CIN at a glance
CIN
The Cineon format comes from Kodak's film-to-digital ecosystem and directly influences the later professional frame-exchange story around DPX.
Format comparison
| Feature | KRA | CIN |
|---|---|---|
| File type | Image | Image |
| Extensions |
|
|
| MIME type |
|
|
| Created year | 2005 | 1992 |
| Inventor | Krita / KDE community | Kodak |
| Status | proprietary | legacy |
| Transparency | Not supported | Not supported |
| Animation | Not supported | Not supported |
| Primary use cases |
|
|
| Layer support | Supported | Not supported |
| Vector scaling | Not supported | Not supported |
| Camera raw data | Not supported | Not supported |
| HDR support | Not supported | Not supported |
| Streaming ready | Not supported | Not supported |
When to use each format
When to use KRA
- Your source file is already in KRA.
- Preserve source expectations before exporting to CIN.
- KRA is commonly used in image workflows.
When to use CIN
- Your target workflow expects CIN.
- Improve delivery compatibility with CIN.
- CIN is commonly used in image workflows.
FAQs
Why convert KRA to CIN?
Convert to CIN when preserving film scans or maintaining compatibility with Cineon-oriented grading and restoration pipelines.
It is useful for cinema post-production and archival motion-picture imaging.
What changes when converting KRA to CIN?
This conversion changes how the format behaves in downstream tools and delivery environments.
Moving to CIN removes layer support.
What should I review after converting KRA to CIN?
Validate output quality on representative files and confirm the target format behaves correctly in the destination workflow.