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PFM Raw at a glance
PFM Raw
PFM persists from the era when HDR imaging, rendering research, and tone-mapping workflows needed straightforward file carriers for floating-point image data long before mainstream consumer HDR delivery formats matured.
DPX at a glance
DPX
DPX inherits part of the motion-picture scanning and Kodak/Cineon lineage, then becomes formalized as a SMPTE exchange format for professional moving-image work.
Format comparison
| Feature | PFM Raw | DPX |
|---|---|---|
| File type | Image | Image |
| Extensions |
|
|
| MIME type |
|
|
| Created year | 1998 | 1994 |
| Inventor | PBRT / Paul Debevec community | SMPTE / Kodak lineage |
| Status | active | active |
| Transparency | Not supported | Not supported |
| Animation | Not supported | Not supported |
| Primary use cases |
|
|
| Layer support | Not supported | Not supported |
| Vector scaling | Not supported | Not supported |
| Camera raw data | Not supported | Not supported |
| HDR support | Supported | Not supported |
| Streaming ready | Not supported | Supported |
When to use each format
When to use PFM Raw
- Your source file is already in PFM Raw.
- Preserve source expectations before exporting to DPX.
- PFM Raw is commonly used in image workflows.
When to use DPX
- Your target workflow expects DPX.
- Improve delivery compatibility with DPX.
- DPX is commonly used in image workflows.
FAQs
Why convert PFM Raw to DPX?
Convert to DPX when the destination is a color pipeline, VFX handoff, scanned-film workflow, or professional frame-sequence archive.
It is ideal for high-fidelity moving-image production and preservation.
What changes when converting PFM Raw to DPX?
This conversion changes how the format behaves in downstream tools and delivery environments.
Moving to DPX removes HDR content. Moving to DPX adds streaming delivery.
What should I review after converting PFM Raw to DPX?
Validate output quality on representative files and confirm the target format behaves correctly in the destination workflow.