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RealVideo at a glance
RealVideo
RealNetworks released the first RealVideo codec in February 1997 as part of RealPlayer 5, pioneering internet video streaming when bandwidth was extremely limited and competing with Microsoft's Windows Media and Apple's QuickTime Streaming.
ARI at a glance
ARI
Digital photography fragmented into many manufacturer-specific raw formats because camera makers optimized for their own sensors, metadata, and software ecosystems rather than for one shared public raw standard.
Format comparison
| Feature | RealVideo | ARI |
|---|---|---|
| File type | Video | Image |
| Extensions |
|
|
| MIME type |
|
|
| Compression / quality | depends | raw |
| File size characteristics | large | large |
| Compatibility | moderate | limited |
| Editability | limited | high |
| Created year | 1997 | 2010 |
| Inventor | RealNetworks | ARRI (Arnold & Richter) |
| Status | legacy | proprietary |
| Transparency | Not supported | Not supported |
| Animation | Not supported | Not supported |
| Primary use cases |
|
|
| Common software |
|
|
| Archival suitability | moderate | strong |
| Metadata handling | moderate | rich |
| Delivery profile | strong | limited |
| Workflow fit | delivery | source |
| Layer support | Supported | Not supported |
| Camera raw data | Not supported | Supported |
| HDR support | Not supported | Not supported |
| Streaming ready | Supported | Not supported |
When to use each format
When to use RealVideo
- editing
- mastering
- streaming delivery
- Pioneered practical streaming video delivery over extremely low-bandwidth internet connections.
When to use ARI
- capture ingest
- editing
- web or print delivery
- Preserve capture-stage image data for later interpretation.
FAQs
Why convert RealVideo to ARI?
Choose ARI as target when maintaining compatibility with ARRI-originated raw image workflows or preserving frame data for grading and finishing.
What changes when converting RealVideo to ARI?
Convert to ARI when maintaining compatibility with ARRI-originated raw image workflows or preserving frame data for grading and finishing. It is appropriate for professional capture archives and controlled post-production pipelines.
What should I review after converting RealVideo to ARI?
After conversion, review these destination checks: Open converted output in LibRaw and verify behavior on real samples; Compare output against the expected raw quality profile; Many are vendor-specific and poorly documented publicly.
How can I keep quality stable in RealVideo to ARI conversion?
Run representative samples, keep settings deterministic, and monitor these risks: Compatibility often depends on decoder support in tools such as LibRaw, Adobe Camera Raw, or vendor software; Many are vendor-specific and poorly documented publicly; Validate destination compatibility before large-batch conversion.