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VC-1 at a glance
VC-1
Microsoft submitted WMV9 to SMPTE for standardization in 2003, and the resulting VC-1 standard was approved in 2006. It was adopted alongside H.264 and MPEG-2 as a mandatory Blu-ray Disc video codec.
RAF at a glance
RAF
Fujifilm's digital-camera identity tied raw capture not just to sensor data but also to a brand-specific color and workflow story, which gives RAF a recognizably different practical role from some rival raw families.
Format comparison
| Feature | VC-1 | RAF |
|---|---|---|
| File type | Not available | Not available |
| Extensions |
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| Compression / quality | Not available | Not available |
| File size characteristics | Not available | Not available |
| Compatibility | Not available | Not available |
| Editability | Not available | Not available |
| Created year | Not available | Not available |
| Inventor | Not available | Not available |
| Status | Not available | Not available |
| Transparency | Not available | Not available |
| Animation | Not available | Not available |
| Primary use cases |
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| Common software |
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| Archival suitability | Not available | Not available |
| Metadata handling | Not available | Not available |
| Delivery profile | Not available | Not available |
| Workflow fit | Not available | Not available |
| Layer support | Not available | Not available |
| Camera raw data | Not available | Not available |
| HDR support | Not available | Not available |
| Streaming ready | Not available | Not available |
When to use each format
When to use VC-1
- editing
- mastering
- streaming delivery
- SMPTE-standardized codec with formal specification and compliance testing.
When to use RAF
- capture ingest
- editing
- web or print delivery
- Preserve capture-stage sensor information.
FAQs
Why convert VC-1 to RAF?
Choose RAF as target when preserving Fujifilm camera originals or handing files back into a Fujifilm-oriented raw workflow.
What changes when converting VC-1 to RAF?
Convert to RAF when preserving Fujifilm camera originals or handing files back into a Fujifilm-oriented raw workflow. It is appropriate for archive masters and non-destructive photographic editing.
What should I review after converting VC-1 to RAF?
After conversion, review these destination checks: Open converted output in vendor photo software and verify behavior on real samples; Compare output against the expected raw quality profile; Compatibility often depends on vendor or decoder support.
How can I keep quality stable in VC-1 to RAF conversion?
Run representative samples, keep settings deterministic, and monitor these risks: They are source formats, not publication-ready outputs; Compatibility often depends on vendor or decoder support; Validate destination compatibility before large-batch conversion.