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PFM Raw at a glance
PFM Raw
PFM persists from the era when HDR imaging, rendering research, and tone-mapping workflows needed straightforward file carriers for floating-point image data long before mainstream consumer HDR delivery formats matured.
TOD at a glance
TOD
TOD appeared with JVC's HD-capable Everio camcorders around 2006 as the high-definition counterpart to the earlier MOD format, using MPEG-2 Transport Stream rather than Program Stream to accommodate HD bitrates.
Format comparison
| Feature | PFM Raw | TOD |
|---|---|---|
| File type | Image | Video |
| Extensions |
|
|
| MIME type |
|
|
| Created year | 1998 | 2004 |
| Inventor | PBRT / Paul Debevec community | JVC |
| Status | active | legacy |
| Transparency | Not supported | Not supported |
| Animation | Not supported | Not supported |
| Primary use cases |
|
|
| Layer support | Not supported | Not supported |
| Camera raw data | Not supported | Not supported |
| HDR support | Supported | Not supported |
| Streaming ready | Not supported | Not supported |
When to use each format
When to use PFM Raw
- Your source file is already in PFM Raw.
- Preserve source expectations before exporting to TOD.
- PFM Raw is commonly used in image workflows.
When to use TOD
- Your target workflow expects TOD.
- Improve delivery compatibility with TOD.
- TOD is commonly used in video workflows.
FAQs
Why convert PFM Raw to TOD?
Convert to TOD when preserving an original JVC Everio recording or when a legacy ingest workflow still expects the camera-native file.
More commonly, convert from TOD into MP4, MOV, or a mezzanine format during home-video migration and archive cleanup.
What changes when converting PFM Raw to TOD?
This conversion changes how the format behaves in downstream tools and delivery environments.
Moving to TOD removes HDR content.
What should I review after converting PFM Raw to TOD?
Validate output quality on representative files and confirm the target format behaves correctly in the destination workflow.