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TOD at a glance
TOD
TOD appeared with JVC's HD-capable Everio camcorders around 2006 as the high-definition counterpart to the earlier MOD format, using MPEG-2 Transport Stream rather than Program Stream to accommodate HD bitrates.
PFM Raw at a glance
PFM Raw
PFM persists from the era when HDR imaging, rendering research, and tone-mapping workflows needed straightforward file carriers for floating-point image data long before mainstream consumer HDR delivery formats matured.
Format comparison
| Feature | TOD | PFM Raw |
|---|---|---|
| File type | Not available | Not available |
| Extensions |
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| MIME type |
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| Compression / quality | Not available | Not available |
| File size characteristics | Not available | Not available |
| Compatibility | Not available | Not available |
| Editability | Not available | Not available |
| Created year | Not available | Not available |
| Inventor | Not available | Not available |
| Status | Not available | Not available |
| Transparency | Not available | Not available |
| Animation | Not available | Not available |
| Primary use cases |
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| Common software |
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| Archival suitability | Not available | Not available |
| Metadata handling | Not available | Not available |
| Delivery profile | Not available | Not available |
| Workflow fit | Not available | Not available |
| Layer support | Not available | Not available |
| Camera raw data | Not available | Not available |
| HDR support | Not available | Not available |
| Streaming ready | Not available | Not available |
When to use each format
When to use TOD
- editing
- mastering
- streaming delivery
- MPEG-2 Transport Stream structure makes conversion straightforward.
When to use PFM Raw
- capture ingest
- editing
- web or print delivery
- Stores floating-point pixel data directly.
FAQs
Why convert TOD to PFM Raw?
Choose PFM Raw as target when HDR rendering, tone-mapping, or scientific-imaging workflows need floating-point pixel values to survive intact between tools.
What changes when converting TOD to PFM Raw?
Convert to PFM raw when HDR rendering, tone-mapping, or scientific-imaging workflows need floating-point pixel values to survive intact between tools. It is especially useful as an intermediate format for graphics research, physically based rendering, and analytical image-processing pipelines that operate on scene-referred data.
What should I review after converting TOD to PFM Raw?
After conversion, review these destination checks: Open converted output in ImageMagick and verify behavior on real samples; Compare output against the expected depends quality profile; Weak formal standardization and uneven parser behavior.
How can I keep quality stable in TOD to PFM Raw conversion?
Run representative samples, keep settings deterministic, and monitor these risks: Poor fit for mainstream publishing and consumer software; Weak formal standardization and uneven parser behavior; Validate destination compatibility before large-batch conversion.